Kiama-Shellarbour Camera Club
The Sapphire Room,
Warilla Bowls and Recreation Club,
Jason Ave, Barrack Heights.
The first and third Wednesday of the month at 7:15 pm.

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Competition Guide


FCC Competition Definitions

New members generally begin in B Grade, or if you are a more experienced photographer, you can choose to go into A Grade.

 

On competition nights, a visiting judge comments on all images entered in the competition. A maximum of two prints or three projected images, per section, are allowed. Merits and Credits are then awarded to the best deserving images in each section. These Merits and Credits are awarded points that contribute to the end of year Point Score Competition. In any one competition, an author shall not enter the same or substantially the same image in more than one section. Please read the By-Laws for more information.

 

Print and Projected Image competitions are conducted on seperate nights. Prints are mounted on matte board for display on print stands and Projected Images are digitally projected onto a screen.

 

Images that have previously been awarded a Merit or Credit in any section (print or projected image) or an image that is substantially the same cannot be re-entered in a subsequent club competition. Images not gaining awards may be re-entered in subsequent club competitions.

 

Print entries will be received until 7:15pm on the evening of the competition. This time limit will be strictly enforced. Entry forms are to be filled in clearly and legibly. All prints must be marked on the back with the photographer's name, grade, a title for identification purposes and an arrow to show correct orientation.

 

Projected Image entries should be emailed to kscccomp@bigblue.net.au, one month prior to the PI competition night. Please refer to the program for the dates. There is no entry form for this competition.

 

Print Competition sections:
A Grade Colour
A Grade Mono
B Grade Colour
B Grade Mono

Projected Image sections:
A Grade
B Grade
The Projected Image section has colour and mono combined.

Print Sizes - all prints shall be suitably matted, with a backing board. There is no minimum size.

Maximum Print Size: A3 (11.69 x 16.53 inches)
Maximum Mount Size: 20" x 16"
Maximum thickness is 6mm.

PROJECTED IMAGE COMPETITIONS
Instructions for Projected Image Competitions

Download your entry forms here
Resizing for your gallery
Download our annual program here.


COMPETITION DEFINITIONS

**All our Competitions follow the Competition Definitions which can be found on the FCC website. (as used for FCC Topshot and/or FCC Interclub Competitions). If you can't find the definition you're after here on our site, please visit the FCC website.

 

OPEN
Any pictorial treatment of a subject which contains the element of good arrangement of composition and reflects the interpretation of the photographer.

 

SET SUBJECT
A subject based around one particular topic, but open to interpretation.

 

ABSTRACT
Abstract photography concentrates on shape, form, colour, pattern and texture. The viewer is often unable to see the whole object. The subject of the photo is often only a small part of the whole piece. You will understand what the image subject is, by what is implied. Often the image will not be a literal view of the subject itself.
Focus can add to the conceptual feel of abstracts by isolating parts of the subject through the use of blur. Good quality blur, bokeh, is the frosted-focus effect created by control of the Depth of field. The other dimension is movement blur.
ref:Photokonnexion

 

MONOCHROME - F.I.A.P Definiton
A black and white work fitting from the very dark grey (black) to the very clear grey (white) is a monochrome work with the various shades of grey. A black and white work toned entirely in a single colour will remain a monochrome work able to stand in the black and white category. On the other hand a black and white work modified by a partial toning or by the addition of one colour becomes a colour work (polychrome) to stand in the colour category.

 

COLOUR -
Any photograph that is not monochrome. It includes a monochrome photograph that has been partially toned or had colour added.

 

NATURE
From 1st January 2015 the International Federation of Photographic Art (FIAP), The Photographic Society of America (PSA) and the Royal Photographic Society (RPS) will use a common definition for Nature Photography. Roy Killen has prepared a report explaining the definition. It's quite extensive and well worth the read.
New 2015 Nature Definition Explained

 

MACRO from Creative Photography
Traditionally, using a dedicated macro lens, macro meant anything that was 1:1 or higher. The term macro relates to the magnification of the image as it appears on the sensor. For example, if you have a small metal ball 10mm in diameter and the image cast onto the image sensor is 10mm as well, then this is called 1:1 magnification (life size). If it is 5mm on the sensor it is 1:2 (half magnification), and if it more than fills the sensor such that it would be 20mm across it is 2:1 (2x magnification). Read here for more on Macro


PORTRAIT PEOPLE
A photograph of a person or people that may range from a head study to full body length. This section includes candid photographs and formal portraits.

 

LANDSCAPE / SEASCAPE
Landscape - A photograph of natural scenery. Evidence of man, animals or the sea may be included provided they do not dominate the picture.
Seascape - A photograph of natural coastal scenery, wave study, or the open sea, where the sea is the main interest. People, boats, man-made structures or other items of marine interest may be present but must not dominate the photograph. Large saltwater inlets are eligible.
Inland waters are included.

 

CREATIVE / EXPERIMENTAL
Creative or experimental photographs display a novel effect because of an unusual combination of objects and/or unusual viewpoint. Photographs in which the images have been modified during or after exposure by using an experimental technique are also eligible in Creative/Experimental sections. The photograph must always have a basic photographic image. Digital manipulation processes may be employed providing the original photograph was exposed by the entrant, including any other images or textures used.

 

ALTERED REALITY
An image created in the author's imagination beyond what is seen through the camera's lens. This includes set up scenes, zoomed photographs, double exposures, etc. as well as images manipulated in various computer software programs. The final result must be all the photographer's own work, including the original image.

 

PROJECTED IMAGE
Digital images are projected onto a screen. Please see the Instructions for Projected Image Competitions and entry.

 

PHOTOJOURNALISM
Story telling photographs such as are seen in the news, media and periodicals, which may include documentary, contemporary life, illustrative, sports news or human interest. In the interest of credibility, contrived situations or photographic manipulation that alter the truth are not acceptable. The story telling value of the photograph shall be weighed more than the pictorial quality.

 

SOCIAL DOCUMENTARY
Concerned with the portrayal and interpretation of society encompassing both human and non- human subject matter.

 

LIGHT PAINTING
1. Wikipedia definitions
Light painting is a photographic technique in which exposures are made by moving a hand-held light source or by moving the camera. The term light painting also encompasses images lit from outside the frame with hand-held light sources.

2. Digital After Dark
A: Using a controlled light source to illuminate an object that the camera records.
B: Directing a light source into the lens for the camera to record.
C: Purposely moving the camera while it is recording a light source.


PANORAMA
Panoramic photography is a technique of photography, that captures images with elongated fields of view. It is sometimes known as wide format photography. The term has also been applied to a photograph that is cropped to a relatively wide aspect ratio.


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